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Framing Consciousness in Art shows how the frames-in-frames in these different contexts question notions of vision and representation, linear time, conventional spatial coordinates, binaries of ‘internal’ consciousness and ‘external’ world, subject and object, and the precise anatomy of mental states by which we are meant to carve up the territory of consciousness. The phenomenological experience of art is certainly as important as the folk psychology which scientists and philosophers use to taxonomise ordinary first-person modes of subjectivity. Yet art excels in configuring the visual field in order to articulate and sustain a complex network of higher-order thoughts structuring art and consciousness.

Consciousness in art. --- Art and society. --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects

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Over the last two centuries, artists, critics, philosophers and theorists have contributed significantly to such representations of ""the economy"" as sublime. It might even be said that much of the emergence of a distinctly ""modern"" art in the West is inextricably linked to the perception of art's own autonomy and, therefore, its privileged, mostly critical, gaze at the terrible mixture of wonder and horror of capitalist economic practices and institutions. The premise of this collection is that despite this perceptual sharing, ""sublime economy"" has yet to be investigated in a purely c

Economics --- Art and society --- Value. --- Standard of value --- Cost --- Exchange --- Wealth --- Prices --- Supply and demand --- Art --- Art and sociology --- Society and art --- Sociology and art --- Philosophy. --- Economic aspects. --- Social aspects

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Arts --- Art and society --- Art and society. --- Arts. --- Fine arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Arts, Daghestan --- Art and sociology --- Society and art --- Sociology and art --- Art --- Social aspects --- fine arts and multimedia --- experimental cinema --- museums --- arts and education --- Humanities --- Arts, Primitive

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This book is a comprehensive study of visual humour in ancient Greece, with special emphasis on works created in Athens and Boeotia. Alexandre G. Mitchell brings an interdisciplinary approach to this topic, combining theories and methods of art history, archaeology and classics with the anthropology of humour, and thereby establishing new ways of looking at art and visual humour in particular. Understanding what visual humour was to the ancients and how it functioned as a tool of social cohesion is only one facet of this study. Mitchell also focuses on the social truths that his study of humour unveils: democracy and freedom of expression; politics and religion; Greek vases and trends in fashion; market-driven production; proper and improper behaviour; popular versus elite culture; carnival in situ; and the place of women, foreigners, workers and labourers within the Greek city. Richly illustrated with more than 140 drawings and photographs, this study amply documents the comic representations that formed an important part of ancient Greek visual language from the sixth to the fourth centuries BC.

Wit and humor, Pictorial. --- Humour par l'image --- Vase-painting, Greek. --- Art and society --- Peinture de vases grecque --- Art et société --- Vase-painting, Greek --- Wit and humor, Pictorial --- Humorous illustrations --- Illustrations, Humorous --- Pictorial wit and humor --- Pictures, Humorous --- Greek vase-painting --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Caricatures and cartoons

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Labour market --- Art --- Risk --- Culture --- Risque --- Sociological aspects --- Economic aspects --- Aspect sociologique --- Aspect économique --- Creation (Literary, artistic, etc) --- Artists --- Art and society --- Social conditions --- 82:316 --- 82:7 --- Literatuursociologie --- Literatuur en kunst --- 82:7 Literatuur en kunst --- 82:316 Literatuursociologie --- Aspect économique --- Creation (Literary, artistic, etc.) --- Creative ability in art --- Creative ability in literature --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Persons --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Artists - France - Social conditions --- Art and society - France